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Irish PEN debate on 15 April & link to info on it in the Irish Times
Written by Irma on 31-03-10 | (26) Comments

 

Ireland’s association of writers, Irish PEN, has announced a forthcoming debate on ‘The Arts and the Economy’, which takes place at the United Arts Club, Upper Fitzwilliam Street in Dublin, on Thursday 15 April 2010.  There is a small piece on it in the Irish Times, which you can read here

Among the panellists are Aidan Burke, Operations Director with the Arts Council; Gerry Godley,  Director of the Improvised Jazz Company, broadcaster and spokesperson for the National Campaign for the Arts (NCFA); Claire Doody, Project Manager of Cultural Odyssey, which was set up by businessman Dermot Desmond following the Irish Economic Forum in Farmleigh last year; Arthur Lappin, Film and Television Producer (In America, My Left Foot, The Field and Some Mother's Son; and Declan Kiberd, literary critic and Chair of Anglo-Irish Literature and Drama at UCD.  Ticket prices for the debate are €3 for Irish PEN members, €5 for non-members, but booking is essential as places are limited. E-mail info@irishpen.com, phone: 087 966 0770.

Full Press release available here

Maybe we could draw a parallel with the patronage of the arts in Florence during the Renaissance? Lorenzo di Medici was personally involved in selecting artists and commissioning their works and if it wasn’t for him, we perhaps would never have had the talents of Michelangelo, Raphael and Bernini. It would seem that not being directly involved in the work you’re sponsoring would bring about less motivated artists- why work hard if you have nobody to directly answer to? Plus, I think the arts council in ireland is too dispersed. A good idea might be the formation of a proper arts guild in ireland, separated from the government, but recieving funding from them. That way we could have a well regulated commission which would raise the benchmark, improve the standard of the arts and increase feedback to individual artists. It would also act as a forum for the artists throughout the country.
I think we can learn a lot from history on this point- if you look back in time, there are two main periods where arts guilds were ‘mandatory’- once during the late medieval/renaissance period and again during the neoclassicism period, particularly in France and in the Netherlands. The guilds existed to protect their members and also the consumers. This ensured a high quality of workmanship- each article had to be examined by a member of the guild and approved. (This isn’t as labourous as it sounds, all the workshop masters were guild members), prices were regulated and so on. This protected the customer, but then the guild also acted as a union for the workers themselves. They provided for funeral expenses of the poorer members and that sort of thing. The guild held a monopoly on the trade in that particular utility in that area. We have a few rough equivalents to the guilds today- like the Irish Illustrator’s Guild and the Embroiderer’s Guild, the Playwriter’s Guild, etc.
The ‘new’ Arts Council could refurbish itself by bringing together all these guilds into one new guild which would establish a moratorium on the quality of its members. This means only members fulfiling a specified standard could be a member-this standard would be both technical and ethical (are they being professional in their working methods?) This would work on two levels- first, by providing individual artists with a ‘card’ that they could use to establish themselves as working artists and which they could use internationally and also to reduce rip-offs of freelance workers by drawing up standardized contracts that they could use in various situations. As I said before, it would also mean that the ‘customer’ would get a ‘guaranteed’ standard for a regulated price.
The ‘new’ Arts Council could refurbish itself by bringing together all these guilds into one new guild which would establish a moratorium on the quality of its members. This means only members fulfiling a specified standard could be a member-this standard would be both technical and ethical (are they being professional in their working methods?) This would work on two levels- first, by providing individual artists with a ‘card’ that they could use to establish themselves as working artists and which they could use internationally and also to reduce rip-offs of freelance workers by drawing up standardized contracts that they could use in various situations. As I said before, it would also mean that the ‘customer’ would get a ‘guaranteed’ standard for a regulated price.
The guild would consist solely of working artists- no ‘office’ workers! The forum would meet maybe once a year to elect a new commission and this commission could be answerable directly to the Minister of the Arts. This would reduce a LOT of bureaucratic red tape and mean that the guild could work much more efficiently.

Posted by Theresa Ryan on 13/04 at 11:12 PM

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